Best of Stash 2020: Title Design
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
From Imaginary Forces: “The titles for Little Fires Everywhere delivers on the name itself as we indulged our inner pyromania. Shot at high speed, it’s a ballet of burning objects, tumbling, floating, and falling through frame. [Watch]
From Imaginary Forces: “How do you make a portrait of one of the most admired and vilified women of the world? Well, if it’s Hillary Clinton, you raid filmmaker Nanette Burstein’s archive of personal and press photos, stack ’em in chronological order, and let ’em play! [Watch]
Creative director Karin Fong follows stylistically diverse work for “Jack Ryan” on Amazon and “Tell Me a Story” on CBS All Access with these ominous/intriguing titles for the Apple TV+ series “See” which finds humans in a future without their sense of sight. [Watch]
Director Karin Fong and the Imaginary Forces crew weave Beauty and the Beast, Cinderella, and Sleeping Beauty into a title sequence full of drama and disquietude for season two of “Tell Me a Story” on CBS All Access. [Watch]
Season two of Amazon’s Jack Ryan series premiered November 1 with these main titles, carefully designed to “become a portrait of the main character” by creative director Karin Fong and the Imaginary Forces design crew. [Watch]