Craving the Senses MOOOVE Lamp

Woodblock_Senses MOOOVE | STASH MAGAZINE

The MOOOVE from Swiss lighting company Senses has lurked on my wish list for years and now Woodblock directing team Crave (Roman Kaelin, Falko Paeper and Florian Wittmann) up the must-have factor with a cool online spot featuring the modular, magnetic-jointed lamp in action. [Read more]

Best of Stash 2014 Preview #1: Greenpeace “New Bees”

Polynoid_Greenpeace | STASH MAGAZINE

The Best of Stash 2014 Collection releases in full on Dec 31 but here’s an early taste: A brilliant near-future sci-fi online ad for Greenpeace published in Stash 105 called “New Bees” directed by Polynoid and produced and animated at Woodblock in Berlin. [Read more]

Birds of a Feather: ASUS T100 and Fulton Lights

Minivegas‘ fun new ASUS clip featuring working stiff birds of all types extends an idea explored by UK director Ninian Doff back in 2011 for his no-budget Fulton Lights “Staring Out of The Window” music video starring a Rat Pack of crows.

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Mill+ Breaks the Sound Barrier with “My Way”

The Mill_Enviivo | STASH MAGAZINE

Director Nils Kloth and the Mill+ crew handled everything including the song writing on this three-minute clip for the B&B industry booking system Eviivo. Mill+ EP Luke Colson: “This is probably the most diverse Mill+ Design project we’ve done. The fact that we wrote the lyrics and composed the song, [Read more]

Conor Byrne: Skittles “Struck by a Rainbow”

Conor Byrne_Skittles | STASH MAGAZINE

The current flood of overly earnest documentary profile films gets a slow poke in both eyes courtesy of Skittles latest silly/surreal adventure directed by Hungry Man Conor Byrne for The Corner Store Films thru BBDO Toronto with The Vanity handling post and Griff Henderson cutting. [Read more]

Bowled Over: Behind the Scenes with Can Can Club

Join TRONCO directors Can Can Club (aka Becho Lo Bianco and Mariano Bergara) for a peek into the art of crafting soup bowl zoetropes during their recent Tim Horton’s spot for 1stAveMachine thru JWT.

“It was crucial that the piece was made in camera, with no digital tricks, and to have the bowls 100% handmade. The other challenge was to tell a story with these brief loops, and giving narrative power to the beautiful ceramics pieces.”

The finished spot:

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