Oscar Winner Laurent Witz: “Long Live New York”

Laurent Witz_LongLiveNy.org | STASH MAGAZINE

Laurent Witz, who won the Best Animated Short Film Oscar earlier this year for “Mr Hublot,” crafts a thoughtful and uplifting 3D piece for LongLiveNY.org with the aim of raising New York state from the bottom of the organ donor ranks. [Read more]

PlusOne for the Eneco Toon

Wonderfully clean and friendly art direction in this online film for Toon, a thermostat that helps you monitor/manage your energy consumption.

PlusOne: “As Toon can be operated via a tablet, we chose to build the story around this. Realistic 3D, an earthly yet clean color palette and warm sound design were used to achieve a personal and lifelike touch.” Directed and produced by PlusOne in Amsterdam thru Achtung!.
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Vinicius Costa: New Style Frames

Vinicius Costa | STASH MAGAZINE

There is no mistaking the pitch work of Brooklyn-based Brazilian director/AD/illustrator/artist and co-founder of ROOF, Vinicius Costa. Each carefully crafted piece combines infinite detail and pumped-up palettes to create enigmatic and whimsical 3D worlds that demand closer inspection.
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Eoin Duffy’s “The Missing Scarf” with George Takei

Duffy Missing Scarf | STASH MAGAZINE

Vancouver-based Irish director/animator/writer Eoin Duffy swept the film fest circuit and made the Academy Awards short list with “The Missing Scarf” a 2D/3D short he describes as an “animated dark-comedy, masquerading as a classic kid-friendly morality-tale.” Narrated with surprising passion by George Takei, [Read more]

PostPanic and Fons Schiedon: SBTRKT “NEW DORP. NEW YORK.”

PostPanic SBTRKT | STASH MAGAZINE

PostPanic director Fons Schiedon’s talent for creating visual calamity takes a darker turn in this CG music promo for the first single from Wonder Where We Land, the new album from UK producer SBTRKT.

Fons Schiedon: “The music has a tremendous dark undertone and a sort of untouchable quality. It pushes on with force, but at the same time remains mysterious and illusive. I wanted to reflect that in the visual direction, which is moody and noir, but also quite synthetic.

“It’s unapologetic about being a digital representation. We refer to elements from the New York area and cultural lexicon, but have them appear quite isolated and reduced, as if observed by alien eyes. There is a gradual shift of focus embedded in the visual direction that aligns with the change of the creature.

“The creature is shown in silhouette for more than half of the video. We only have him step into the light halfway through, which gives him a certain power and triggers a sequence that is at first bold and aggressive, but ends in tranquility.” [Read more]

Lee Minhyung: AIAIAI “Seeing the Sound”

Lee Minhyung, a student at VDAS in South Korea, creates an ambitious and exhilarating integrated brand design assignment inspired by Copenhagen audio design company AIAIAI. “I was motivated by AIAIAI’s identity that has Scandinavian design foundation and their philosophy that delivers value far beyond trends.

“Focusing on finding an expression between AIAIAI’s design values that represent the visual and the essence of the company that is producing audio products, I made the slogan; SEEING THE SOUND, and I created integrated brand designs such as webpage, mobile app, and posters to extend the slogan’s use-case.” [Read more]