Best of Stash 2017: Brand Films
Free from the duration, format, and censorship restrictions associated with mainstream TV or cinema advertising, brand films allow for a refreshing range of techniques, narratives and visual styles. [Watch]
Free from the duration, format, and censorship restrictions associated with mainstream TV or cinema advertising, brand films allow for a refreshing range of techniques, narratives and visual styles. [Watch]
On the rise in both scope and prestige for the last five years, event titles blossomed as a dominant expressive outlet in 2017 providing the catalyst for passionate new levels of fun and experimentation. [Watch]
Even as advertising diversifies across new media, spots made for TV and cinema often remain the crown jewels of campaigns. Here are eight commercials we were especially proud to induct into the The Stash Permanent Collection this year. [Watch]
Time to learn the truth behind the shamanistic origins of Santa Claus including why he dresses in red and white, why he enters your house through the chimney, and why the reindeer can fly. [Watch]
LA director/animator Arthur Metcalf mashes together horror and musical tropes into “He’s Watching,” a dark comedy starring the fearless, hilarious, and potty-mouthed pre-teen April Skut. [Watch]
Partizan director Katy Wang brings brings a soft and tactile child-like charm to this video for “Ma Mama” by Toto Bono Lokua, a French band made up of singers from French Martinique, Cameroon, and the Republic of Congo. [Watch]