Best of Stash 2020: Title Design
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
Creative agency Superestudio in Buenos Aires: “Designing a unified look for the visionary ESPN sports brand across all international territories, including key markets of Latin America, Africa, Oceania, and South East Asia, was epic. [Watch]
From Buck: “[We] proudly partnered with HBO to promote their recently aired, cleverly adapted rendition of the Apollo Theatre’s 2018 stage version of Ta-Nehisi Coates’ powerful 2015 novel, “Between the World & Me.” [Watch]
From Block & Tackle in NYC: “Officially TZGZ is SYFY’s late-night adult animation block. But really, it’s a state of mind. It’s a safe space to let loose and get weird.” [Watch]
Creative director Hazel Baird at Elastic: “[For this title sequence], director Kamilah Forbes wanted us to stay away from triggering and violent images that we constantly see in the media and on social platforms and instead, be a colorful celebration of black culture. [Watch]
Yes, 2020 feels like a write-off in many ways but Stash 144 proves the planet’s designers, animators, and VFX artists faced the storm with unwavering resolve and new levels of innovation. [Watch]