A collage of motion design and animation pieces, featuring a robotic brain, a blue monster, abstract figures, a hooded character, a cartoon wolf, a red sports car, and stylized human forms from Stash Issue 180. Frame from Stash Magazine article.
A light-colored axolotl from the Amphibian Adventure animation swims in an aquarium, with a pufferfish visible in the background. Frame from Stash Magazine article.

Electric Theatre Collective’s Ambitious Amphibian Adventure

Working with Iconoclast directors Vania & Muggia, the VFX crew at ETC in London transform an axolotl (aquatic salamander native to Mexico City) into a Bridgerton-binging hero as part of a new Netflix campaign thru Mother. [Watch]

A robin perched on a leafy branch looks toward a National Lottery reindeer, with more reindeer from Framestore visible in the blurred mountain background. Frame from Stash Magazine article.

Framestore’s Reindeer Takes Flight for The National Lottery

Working with Arts and Sciences director Tim McNaughton, the deeply experienced (and awarded) CG creature team at Framestore in London imbue a brave reindeer with quiet but unflagging determination for the UK’s National Lottery. [Watch]

Doctor Doom looks out over a ruined city skyline from the KFC Avengers Doomsday commercial, where a semi-truck is perched precariously on a collapsed bridge. Frame from Stash Magazine article.

Tom Noakes & Black Kite Deliver the Doom Burger for KFC

Business Club director Tom Noakes teams with London post/VFX house Black Kite to conjure a weirdly light-hearted post-apocalypse for KFC’s collab with Marvel Studios’ Avengers: Doomsday thru ad agency Mother. [Watch]

Close-up of a sweaty woman with an intense, determined expression, gritting her teeth, reminiscent of a scene from The Surrender film by Manu Mazzaro & Sauvage. Frame from Stash Magazine article.

Manu Mazzaro & Sauvage Surrender to Andalusian Magic

Roma director Manu Mazzaro and Sauvage animation director Ernest Desumbila merge 3D, live-action, motion capture, and AI into the single most ambitious and un-touristy tourism film you may ever witness. [Watch]

A collage of twelve diverse images featuring people, digital art, a robot, abstract figures, tech elements, flowers in a vase, and a close-up of a red car’s tail light—curated from the acclaimed Stash Permanent Collection and spotlighting creative highlights from the New Issue of Stash 179. Frame from Stash Magazine article.