The wonderfully unpredictable motion designer and animator Takashi Ohashi just dropped this frenetic and whimsical animated station ID for Japanese music channel Space Shower TV. [Watch]
The recent surge in high-end commercial stop-motion projects continues in dramatic form with this ambitious environmental PSA disguised as the trailer for a remake of Kenneth Grahame’s kids’ classic “The Wind in the Willows.” [Watch]
A stripped down CG treatment by Goodbye Kansas surgically edited to the sparse dynamic’s of a track by UK producer Lapalux provides plenty of visceral punch in this spot for Volvo’s E.V.A. car safety equality initiative. [Watch]
Yes, the title sounds like clickbait but this explainer (the first in The Atlantic’s new four-part series called “Life Up Close”) directed by Washington DC’s Elyse Kelly backs up the hype with science and intricate graphics. [Watch]
Co-directors Softly Dunstan and Darren Price at Mighty Nice in Sydney use a smart mix of 3D and watercolor illustration to leverage the package designs of Proud & Punch frozen treats into a series of short and charming animated spots. [Watch]
Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Watch]
