A stripped down CG treatment by Goodbye Kansas surgically edited to the sparse dynamic’s of a track by UK producer Lapalux provides plenty of visceral punch in this spot for Volvo’s E.V.A. car safety equality initiative. [Watch]
Yes, the title sounds like clickbait but this explainer (the first in The Atlantic’s new four-part series called “Life Up Close”) directed by Washington DC’s Elyse Kelly backs up the hype with science and intricate graphics. [Watch]
Co-directors Softly Dunstan and Darren Price at Mighty Nice in Sydney use a smart mix of 3D and watercolor illustration to leverage the package designs of Proud & Punch frozen treats into a series of short and charming animated spots. [Watch]
Ruffmercy, the UK animator/director (and Stash regular) best known for his music video work, lets loose with a magnum opus called “’88,” a gloriously chaotic 11-minute film made for The Barbican’s Jean-Michel Basquiat retrospective in London. [Watch]
A very fresh visual treatment for a motorsports broadcast promo here from Tokyo 3D masters Onesal for coverage of the World Rally Championship 2018 on the Japanese channel J Sports. [Watch]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Watch]
