Close-up of a translucent, amber-colored object with organic shapes and textures, illuminated dramatically against a dark background—a visual prologue reminiscent of Kyle Cooper’s style that highlights the intricate beauty of its wrinkled surface. Frame from Stash Magazine article.

Kyle Cooper & Prologue Explore Dark Side of “The Beauty”

FX’s new sci-fi body-horror series The Beauty opens with this unnerving CG sequence, designed by Kyle Cooper and the Prologue team to reflect the “visceral transformations” at the core of the show’s narrative. [Watch]

Close-up of a green jumping spider with large black eyes and hairy legs, perched on a translucent pinkish surface, inspired by Beeldmotion's EXO in an AI-Generated Title Sequence. Frame from Stash Magazine article.

Beeldmotion Goes Macro for “EXO” Titles Experiment

Rio de Janeiro design and animation studio Beeldmotion takes a break from client work to put AI production under the microscope in this striking new in-house adventure in title design called EXO. [Watch]

Digital Kitchen Gets Inside the Mind of Detective Cross

Digital Kitchen sets a tense and foreboding tone for season two of the Amazon crime thriller series Cross, orchestrating a layered collision between the psyche of detective Alex Cross and his city, Washington, D.C. [Watch]

Duncan Elms & Makemake Open “The Dinosaurs” on Netflix

Makemake CD Duncan Elms, whose work we track here, leads the studio’s 3D team into a mist-shrouded world of hidden giants with these titles for Steven Spielberg’s nature doc series The Dinosaurs on Netflix. [Watch]

Ronnie Koff & Imaginary Forces Update the Holmes Legacy in “Young Sherlock” Titles

It’s safe to say Ronnie Koff is on a roll. Nominated for Outstanding Title Design Emmys the last four years running, the Imaginary Forces CD just completed work on this intricate single-shot open for Amazon’s Young Sherlock. [Watch]