This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.?
According to director William Armstrong‘s bio he “grew up in Botswana in the middle of the bush surrounded by crocodiles and snakes” so we’ll assume that’s where the savage intensity of this new Adidas online spot comes from as captured by DP Sebastian Pfaffenbichler and edited with fanatical precision by Andreas Bardet @ Infected. [Read more]
Stash 105 showcases the planet’s top design, animation and VFX studios plus breakout young motion talent, adding another 31 outstanding video projects to the permanent collection. Carefully curated since 2004, the Stash library now features over 4,000 exceptional films and behind the scenes features, with [Read more]
After 20 years of VFX experience including gigs at The Mill, Digital Domain, Method Studios, Asylum and Dashing Collective (which he founded in 2010), Robert Moggach brings his many talents to the role of CD at MassMarket. [Read more]
Stash 104 continues our 10-year obsession with archiving exceptional animation, VFX and design work. 104 adds another 90 minutes of motion inspiration and insight to the Stash permanent collection of over 4,000 films and behind the scenes features, with creative and production notes, toolkit and links for every project [Read more]
Squeezing into the jam-packed advertising awards ecosystem is a tough assignment but an industry collective is out to try with the launch of ADCAN, a new initiative supporting upcoming film talent through creative productions for charities and good causes.
Developed by Brydon Gerus and Dan Heighes, ADCAN was established as an awards community that connects good causes and charities with aspiring, non-represented filmmaking talent. ADCAN provides a new approach that exists above and beyond the awards themselves; it is not only a creative platform to help aspiring filmmakers get exposure within the industry, it is also a means for films to be made that will do some good and connect filmmakers with charities/causes and production companies looking for the next top talent. [Read more]