Elastic: “At long last, Elastic is thrilled to share the Main on End for Marvel’s Ant-Man and The Wasp, from creative director Andy Hall and the team. [Read more]
NY director/designer John Likens (who just won the 2018 Emmy Award for Outstanding Graphic Design and Art Direction for his work on the doc “Blood Road”) reveals how his CG title sequence for “Deadpool 2” came together at Method Studios. [Read more]
Inspiring and surprisingly emotional compilation of thoughts and rants from writer/director Brad Bird (‘The Iron Giant’, ‘The Incredibles,’ ‘Ratatouille’) on his creative process and why animation is not a genre – assembled by Kees van Dijkhuizen Jr., a young film editor from the Netherlands. [Read more]
Join 35 STYLE FRAMES speakers plus an audience full of designers, directors, animators, ADs, CDs, ACDs, ECDs, producers and EPs, HOPs, VPs, SVPs, VFX artists/supervisors, educators, audio and interactive designers plus VR producers, from all sides of the creative industry. [Read more]
Like vinyl records, stop-motion animation refuses to be replaced by more practical and efficient digital alternatives. Join UK filmmaker Vugar Efendi on his tour back thru 39 films and 116 years of hand-crafted frame-by-frame magic.
Like old master paintings, Guillermo Del Toro’s films use a lexicon of symbols to convey subtext and back story. And so it is with this richly detailed, all-CG title sequence from his new feature Crimson Peak, created by the all-Toronto team of IAMSTATIC and Topix. [Read more]