Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences that rose above and beyond in 2018. [Watch]
Elastic: “At long last, Elastic is thrilled to share the Main on End for Marvel’s Ant-Man and The Wasp, from creative director Andy Hall and the team. [Watch]
NY director/designer John Likens (who just won the 2018 Emmy Award for Outstanding Graphic Design and Art Direction for his work on the doc “Blood Road”) reveals how his CG title sequence for “Deadpool 2” came together at Method Studios. [Watch]
Inspiring and surprisingly emotional compilation of thoughts and rants from writer/director Brad Bird (‘The Iron Giant’, ‘The Incredibles,’ ‘Ratatouille’) on his creative process and why animation is not a genre – assembled by Kees van Dijkhuizen Jr., a young film editor from the Netherlands. [Watch]
Join 35 STYLE FRAMES speakers plus an audience full of designers, directors, animators, ADs, CDs, ACDs, ECDs, producers and EPs, HOPs, VPs, SVPs, VFX artists/supervisors, educators, audio and interactive designers plus VR producers, from all sides of the creative industry. [Watch]
Like vinyl records, stop-motion animation refuses to be replaced by more practical and efficient digital alternatives. Join UK filmmaker Vugar Efendi on his tour back thru 39 films and 116 years of hand-crafted frame-by-frame magic.
[Watch]
