A stripped down CG treatment by Goodbye Kansas surgically edited to the sparse dynamic’s of a track by UK producer Lapalux provides plenty of visceral punch in this spot for Volvo’s E.V.A. car safety equality initiative. [Watch]
FutureDeluxe wraps Oklahoma Thunder star Russell Westbrook in a vibrant, glitchy package of design and VFX for Nike’s Jordan brand in this impossible-to-ignore :30 with additional post by Electric Theatre Collective. [Watch]
Co-directors Softly Dunstan and Darren Price at Mighty Nice in Sydney use a smart mix of 3D and watercolor illustration to leverage the package designs of Proud & Punch frozen treats into a series of short and charming animated spots. [Watch]
A very fresh visual treatment for a motorsports broadcast promo here from Tokyo 3D masters Onesal for coverage of the World Rally Championship 2018 on the Japanese channel J Sports. [Watch]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Watch]
Elastic creative directors Lisa Bolan and Nadia Tzuo opened Sony Pictures’ “Girl in the Spider’s Web” with inky, sinister CG to create “metaphor and abstract visual language to hint at the main character’s untold history.” [Watch]
