In “OSSA,” Milan director/animator Dario Imbrogno blurs the line between the making-of video and final film, not only revealing the mechanics of stop motion’s armatures and cinematography but carefully incorporating them as dramatic elements in the narrative. [Watch]
Real-life Canadian animation legend Cordell Barker – creator of Oscar-nominated shorts “The Cat Came Back” and “Strange Invaders” plus hundreds of commercials – takes on the “the difficult gateway between childhood and adolescence” in his latest opus “If I Was God…” [Watch]
A full-on jolt of visual caffeine, Stash 117 adds another 31 stellar video projects to the Stash Permanent Collection – the planet’s largest online archive of design, animation and VFX, plus behind-the-scenes features and exclusive interviews. [Watch]
UK sound designer Simon Pyke’s ongoing 30 Seconds project (challenging filmmakers to freely interpret a supplied audio clip) causes three directors from PostPanic in Amsterdam to abandon any sense of impropriety in what the studio calls “an x-rated cocktail of cell animation, stop motion, motion graphics and a lot of genitalia.” [Watch]
Wonderful mixed-media stop motion character animation from Manchester director/animator Steve Boot called “Once Upon a Blue Moon,” and a fave on the international film fest circuit. [Watch]
Bristol designer/director Chris Hopewell returns to directing with this spooky stop-motion folktale with a terrible twist for Radiohead’s “Burn the Witch,” recalling the style of vintage UK kid’s shows like The Trumptonshire Trilogy. [Watch]
