Kick-off 2022 with a shot of creative adrenaline – take two minutes to check out this preview of the 31 brilliant design, animation, and VFX projects included in Stash 151. [Watch]
From the team at Block & Tackle in New York: “Everyone’s got that herd mentality these days, hunkered down in our tribes, modeling behavior on whatever’s trendy at the moment… without thinking.” [Watch]
The Netflix feature-Length animated special Hilda & The Mountain King opens with these titles by Giant Ant, a “software-agnostic” mix of 2.5-D and cel designed to “give the audience a taste of what’s to come without any big spoilers”. [Watch]
Few design assignments demand more nuance than setting the tone for what an audience is about to see. Whether in real life or on a screen, the goal is to create the perfect balance between anticipation and revelation. [Watch]
Creative director Karin Fong and the Imaginary Forces crew weave together themes of magic and matriarchy into a grand title sequence for Amazon’s epic fantasy series “The Wheel of Time”. [Watch]
London title specialists Huge Designs set an adventurous tone for a new BBC and PBS edition of Jules Verne’s “Around the World in 80 Days” (starring David Tennant as Phileas Fogg) for UK prodco Slim Film+Television. [Watch]
