Director Genndy Tartakovsky‘s animation test for Sony’s upcoming Popeye feature pushes the physical comedy he brought to Samurai Jack, Dexter’s Laboratory and Hotel Transylvania to a crazy new level with some of the snappiest timing and extreme exaggeration since Tex Avery. [Read more]
Erin Sarofsky reunites with producers Anthony and Joe Russo (who they worked with on the titles for “Community” in ’09) to close Marvel’s “Captain America: The Winter Soldier.” The Chicago studio presented eight creative directions with the winning treatment created by Sarofsy and comic book artist David Mack.
Erin Sarofsky: “With this film, Anthony and Joe produced a narrative that evokes 1970′s conspiracy thriller cinema. With that in mind, we wanted to create a main-on-end title sequence that acknowledged their inspiration but was interpreted with more modern sensibilities.
“So we worked within a visual style that has simple, graphic compositions with strong, legible typography. This look is a clear nod to the spy style and political thriller title design of the 60s and 70s.” [Read more]
The second teaser/trailer for PostPanic co-founder Mischa Rozema’s feature film debut ‘SUNDAYS’ deepens the air of dystopian sci-fi mystery with more glimpses of the ambitious VFX all held together by a VO from lead actor Brian Petsos.
The film, which “promises to challenge the viewer with philosophical questions about the future of humanity” was shot in Mexico city, is now in post and will release in the second half of 2014.
Here’s the first teaser/trailer in case you missed it:
Spread across 6,000 miles, six time zones and every possible climate, the design, animation and VFX industry in Latin America represents a staggering array of talent bound together by a passion for creating outstanding work. (Watch the collection here.) Stash’s third collection of studios from across this vibrant region [Read more]
Best known for the polarizing film projects “Waking Life” and “A Scanner Darkly,” American director/producer Tommy Pallotta mixes fantasy-fueled animation sequences into his new feature doc (co-directed with Dutch new-media producer Femke Wolting) called the LAST HIJACK, “a true tale of survival in Somalia told from the pirate’s perspective.”
After winning the Oscar for Best Foreign Language Film in 2009 with his thriller “The Secret in Their Eyes”, Argentine director Juan José Campanella launched his first animated film, “Foosball”: budgeted at US$20M the soccer-centric action comedy is the most expensive domestic feature ever produced in Argentina. [Read more]