To mark The New Yorker’s founding in 1925, directors Guto Terni, Marcos Kotlhar, and the animation crew at ROOF Studio distill a sense of the magazine’s enduring visual wit and cultural resonance from over 5,000 pieces of cover art. [Watch]
One minute into this Snoop Dogg cover of the Tom Petty track “Mary Jane’s Last Dance”, Psyop studio partners Temple Caché take over the visuals with a cannabis-fueled mashup of live-action, 2D, 3D, motion design, and AI. [Watch]
Max Lugavere’s critically acclaimed feature documentary Little Empty Boxes is punctuated by these animated segments from collage master Ariel Costa (aka BlinkMyBrain), who tags the work as a “blend of emotion and Surrealism.” [Watch]
Based in Santiago, Chile, Crinimo Studio makes their Stash debut with this collage work for Shirley, the Netflix drama about pioneering congresswoman Shirley Chisholm and her 1972 run for president of the United States. [Watch]
Art director/animator Ignacio Osorio (who won an Emmy for his motion work on CNN’s The Hippie Trails doc), conjures a tactile ode to geometric abstraction in this passion project, an intriguing mix of handmade collage and digital tools. [Watch]
Following up on their collage work for Penhaligon earlier this year, the design and animation crew at Tigrelab offer a peak into the range of motion techniques used on their recent spot for Athenian Brewery’s Mamos Unfiltered. [Watch]
