ECD Mason Nicoll and the Digital Kitchen team (whose work you should watch here and here) weave distressed found footage into a menacing mix of nostalgia and psychological angst in their titles for S3 of the Showtime drama Yellowjackets. [Watch]
Ringling College Motion Design students Rin Yokoi and Diane Lee opened the school’s FutureProof 2025 conference this week with these kinetic and surgically crafted titles serving as the centerpiece of their comprehensive event branding. [Watch]
In 2024 the task of packaging big-budget programming remained both a high pressure assignment and a canvas for motion design innovation. These seven sequences all rose to the occasion while nudging the genre forward. [Watch]
The NodeFest 2024 motion design event opened yesterday in Melbourne with this syncopated sequence of jazz-fueled typography by creative director Zoe Crocker and the crew at Sydney studio Never Sit Still. [Watch]
The incredible variety of motion work included in the Stash Permanent Collection is a major part of what makes it a vital creative resource, and our latest issue is a perfect example. Grab a peak at Stash 168 with this preview. [Watch]
Working with director/screenwriter Kelly Marcel, CD Karin Fong and the team at Imaginary Forces close out the Venom feature film trilogy with a “beastly parade” of corrupted creatures in this main-on-end title sequence. [Watch]
