Al Jazeera Montage by The Mill | STASH MAGAZINE

Al Jazeera Channel ID Package by The Mill

The Mill was tasked with creating five channel idents that clearly represent Al Jazeera English and its unique place in the crowded landscape of world news. [Read more]

Alkemy X VFX Supervisors Bilali Mack and Erin Nash | STASH MAGAZINE

Alkemy X Adds VFX Supervisors Bilali Mack and Erin Nash in NYC

Alkemy X has hired VFX Supervisors Bilali Mack and Erin Nash in its NYC office. Mack comes to Alkemy X from MPC, where he supervised and executed VFX on spots for top brands including Adidas, Sonos, Google, and BMW. Nash joins the team from FuseFX where he served as Head of 2D, leveraging his experience across television, film and commercial work. [Read more]

Ashnikko Tantrum music video | STASH MAGAZINE

Ashnikko “Tantrum” Music Video by Jocelyn Anquetil

A quick shot of over-the-top, greenscreen adrenaline-camp from director Jocelyn Anquetil at The Mill backed up by the VFX and post team for the new “Tantrum” single by American singer and rapper Ashnikko (aka Ashton Casey). [Read more]

Stash issue 140 Preview | STASH MAGAZINE

Preview All the Projects Included in Stash 140!

Stay home, stay inspired! Take a peek at this two-minute preview of STASH 140 which adds another 31 motion projects (plus behind the scenes features and exclusive interviews) to over 5,500 titles included in The Stash Permanent Collection. [Read more]

Direct Line RoboCop Donatello Bumble Bee | STASH MAGAZINE

Direct Line Beats RoboCop, Donatello, and Bumble Bee

Witness the seamless convergence of comedy and VFX in this new three-spot campaign starring disappointed superheroes for UK insurance provider Direct Line via Hungry Man director Brian Buckley and The Mill VFX crew. [Read more]

Three Real 5G commercial | STASH MAGAZINE

Behold the Real Future with Three’s “Real 5G”

In 2018, Wieden+Kennedy London and Academy director Ian Pons Jewell convinced the world “Phones Are Good” and now they’ve dialed up the tongue-in-cheek quotient for Three’s 5G service with layers of unrelenting VFX from The Mill crew. [Read more]