This issue features 90+ minutes of commercials, broadcast design, music videos, brand films, short films and behind the scenes extras from the planet’s top artists and filmmakers with production notes, toolkit and links for every project – Plus stills, style frames, exclusive interviews.
Multi-faceted director Maxime Bruneel and the Chez Eddy crew in Paris roto their lives away on “Dat a Freak” by Diplo and Swick by “painstakingly working through all the best twerking footage in the world.” Not completely safe for work or home depending on the company you keep and your opinion of butt-centric choreography. [Read more]
London animation collective Plastic Horse just dropped the first of four videos for Italian DJ/producer Francesco “Phra” Barbaglia’s Crookers project, a weird and wonderful dream-like adventure driven by the simple brief “to create a set of videos that were fucked-up”. Plastic Horse: “Our main creative challenge [Read more]
Designing with chalk, black cardboard, pencils and white crayons then animating in Photoshop, co-directors Kris Merc and Benjy Brooke craft an angular, shadow-filled world in this personal labor-of-love video for The Peach Kings track “Mojo Thunder.” Kris Merc: “I wanted to explore self destructive behaviors [Read more]
London designer/illustrator/AD and all-round force of nature Kate Moross also handles direction, animation, editing and post duties on this music video for the latest single from the Wild Beasts’ album Present Tense. Production credit goes to My Accomplice who reps frequent Moross collaborator Ruff Mercy. [Read more]
Neighborhood Watch director Yoonha Park merges process with art in this revealing music video for Liars new single “Pro Anti Anti” teaming with 3D-scanning company Direct Dimensions and Brooklyn design firm New Project for a step-by-step look at how they scanned, 3D-printed, digitally mapped, hand- [Read more]