CD Duncan Elms at Elastic in LA: “Created by Taylor Sheridan as the prequel to Yellowstone, 1883 portrays an era of open spaces and constant dangers. [Watch]
The latest TV titles from Huge Designs in London combine a starkly limited palette and unexpected transitions to set the tone for Eleventh Hour Films’ Magpie Murders, a murder mystery series streaming on Britbox and PBS Masterpiece. [Watch]
Flatwhite Motion, the design studio with offices in Sydney and Qingdao, China, sets the tone for the Chinese drama series “Wisher” with a beautifully lit CG sequence touching on themes of technology, manipulation, and fate. [Watch]
Packed with useful tips for blending in with the species you’ve been sent to exterminate, the opening sequence for SyFy’s Resident Alien series was designed and directed by the TV titles specialists at Huge in London. [Watch]
With a labor-intensive mix of in-camera effects, 3D-printed stop-motion, and algorithmic CGI, Blinkink director Balázs Simon showcases “how Olympians push themselves to the extreme” for the BBC Winter Olympics coverage. [Watch]
Antibody directors Patrick Clair and Raoul Marks conjure a murky and sinister sequence to set the tone for Archive 81, the new Netflix thriller/ghost story that arises thru the efforts of an archivist restoring damaged vintage videotapes. [Watch]
