Blink Ink director Noah Harris and crew craft a frenetic and riveting fusion of 3D-printed stop-motion elements and 2D animation for Bristol producer Julio Bashmore’s “Peppermint,” proving once again that killer visuals can rescue mind-numbing dance tracks. Lead stop-motion animator was Andy Biddle, and post credits [Watch]
Hot on the heels of his Oscar-shortlisted film “The Missing Scarf” with George Takei, Eoin Duffy reveals his obvious issues with hot girlfriends and the destruction they’re capable of in this heart-wrenching and minimalist tale of serial arson. [Watch]
Barcelona’s Tigrelab nudge the lyric video genre forward by interpreting the melancholy of “Blue on Blue” from James Blunt’s latest album Moon Landing thru the cold detachment of technical schematics. [Watch]
Cluster Studio in Mexico City just sent us there latest: a frenetic, genre-mashing :60 for the Nissan Juke featuring surgical editing, over-the-top action tropes and a multitude of animation and VFX techniques all created by a team of 16 artists on a tight schedule. Agency: TERAN \ TBWA, Production: Garage Films, [Watch]
Bristol director/designer/animator/seizure inducer and Stash fave Russ Murphy teams with director Pace Rivers for his latest graphic maelstrom, a flickering glitchiphonic “Apocalypse” by NY rapper/producer TiDUS – shot in the artist’s home town and screwed with heavily back in RUFFMERCY studios. [Watch]
London animator, director, writer and all-round motion-master Fraser Davidson follows his 2012 “Irritable Bowl Syndrome” with another sharp and breathless ode to American football once again combining the pacing of a rant with his signature graphic style to provide both hilarity and insight, all fueled by the VO talents of Billy Baumann and Mark Brickey at aidpodcast.com. Audio: Morgan Samuel. [Watch]
