A futuristic spaceship approaches a large, glowing alien structure in space, with vibrant blue and pink nebulae in the background, reminiscent of the cinematic visuals seen in Star-Trek-Strange-New-Worlds-Season-4-Main-Titles-by-Picturemill. Frame from Stash Magazine article.

Picturemill Builds More Strange New Worlds for Star Trek in Season 4 Main Titles

CD William Lebeda and the team at Picturemill in LA, whose Starfleet Academy titles we featured in Stash 176, enter full-on world-building mode to open season four of Star Trek: Strange New Worlds on Paramount+. [Watch]

A figure in a trench coat, wide-brim hat, and mask with goggles stands in shadow, their silhouette cast on a newspaper-covered wall in the background—a scene reminiscent of the atmospheric Spider-Noir TV series opening titles by Digital Kitchen. Frame from Stash Magazine article.

Psychological Unraveling: Digital Kitchen Opens Spider-Noir

Recently nominated for an Outstanding Title Design Emmy, Digital Kitchen’s open for the new Spider-Noir series layers influences from the French New Wave, surrealism, and film noir into a shattered world of light and shadow. [Watch]

A grid of four vibrant, surreal digital artworks featuring cosmic scenes, abstract shapes, futuristic characters, and glowing neon colors in imaginative, sci-fi-inspired environments—each piece radiates the energy of Never Sit Still and captures the visionary spirit championed by The Design Conference. Frame from Stash Magazine article.

Never Sit Still Opens The Design Conference With “Wonder, Divinity, and Chaos”

The Design Conference opened earlier this month in Brisbane, Australia, with these maximalist, over-the-top titles from the crew at Never Sit Still in Sydney that they describe as “a balance of wonder, divinity, and chaos”. [Watch]

Collage of 12 colorful, surreal, and abstract artworks—featured in the Stash issue 178 preview trailer—including a soccer player, a beetle, digital figures, a smiling cartoon face, hands, a yacht, a person on a roof, and other imaginative scenes. Frame from Stash Magazine article.
A tarot card labeled El Mundo featuring a dancing woman is surrounded by overlapping cards with bird illustrations. Credits for writers Francisca Alegría and Fernanda Urrejola appear on the left for Caffeine Global’s La Casa de los Espíritus. Frame from Stash Magazine article.

Caffeine Global Enters “La Casa de los Espíritus” for Amazon Prime Video

Caffeine Global, a motion design and post studio based in Mexico City, makes their Stash debut with these tactile and atmospheric titles for the new Amazon Prime Video epic drama series La Casa de los Espíritus. [Watch]

A person walks up grand stone steps between tall columns, with bright sunlight—like the First Light in a Game Title Sequence—streaming in from the right, casting long shadows and illuminating dust in the air. Frame from Stash Magazine article.

Territory Bonds With IO Interactive for “007 First Light” Titles

The design and animation team at Territory take on the responsibility of advancing one of pop culture’s biggest franchises, crafting the titles for “007 First Light”, the new James Bond game from IO Interactive. [Watch]