In the rush of 2016 holiday spots you may have missed this one (we did): the migratory adventures of an intrepid Scandinavian Robin brought to life in impeckable feathery detail by Rogue director Sam Brown and the VFX crew at The Mill in London. [Watch]
Most often fueled by passion rather than proper budgets, music videos are the wild west of media genres – a place where passion and promise more than compensate for a director’s lack of experience or connections, or both. Have a look at the nine most intriguing examples Stash published this year. [Watch]
As ad campaigns expand and blur across a growing number of platforms, the most coveted bragging rights (and budgets) most often remain with work intended for television and cinema screens. So let’s kick off the Best of Stash 2016 with 10 stand out commercials everyone needs to see. [Watch]
Watch how Paris VFX powerhouse Unit Image, Partizan director Antoine Bardou-Jacquet and agency BETC combine forces for a VFX rampage through a French kitchen to make the case for the quality of TV channels available on Canal+. [Watch]
Wonderful dark and textured broadcast work from Toronto design and motion house Iamstatic for the titles of “Frontier,” the Canadian-American historical series chronicling the North American fur trade of the 1700s co-produced by Discovery Channel (Canada) and Netflix. [Watch]
Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Watch]
