From the release: Imaginary Forces welcomes Anthony Gibbs as Creative Director. With vast experience in design and VFX, Gibbs has created traditional, interactive, and experiential projects for such brands as Apple, AT&T, Epic Games, and Google, among many others. [Watch]
Leveraging the intense emotions of six Olympic athletes, Japanese cosmetics brand SK-II launches a series of ambitious and empowering films with the help of Imaginary Forces, Passion Pictures, Platige Image, and C3 thru WPP. [Watch]
Category Advertising, Animation, Brand film, CG, Character Animation, Featured · Tags Alan Williams, Bartek Kik, C3, Damian Nenow, Eclectic Sounds, Grey, Hogarth, HUGE, Imaginary Forces, Jon Saunders, Mano, Mediacom, Passion Pictures, Platige, Platige Image, Simon Elms, SK-II, takcom, VaynerMedia, WPP
Imaginary Forces director Karin Fong mixes live-action, practical effects, and CG in this standout package for Showtime’s docuseries Supervillain: The Making of Tekashi 6ix9ine recounting the antics of a notorious hip-hop bad boy. [Watch]
Posted
on February 18, 2021
Imaginary Forces: “We were lucky to partner with BET on part of their Black History Month ‘True Black Impact’ campaign in which we honor the achievements and contributions Black people have made to shape society and culture.” [Watch]
Posted
on December 29, 2020
While the explosion of scripted programming over the last five years has kept title design studios bustling, show opens have also emerged as an important showcase of choice for motion design passion projects. [Watch]
Category Animation, Broadcast Design, CG, Character Animation, Featured, Motion Capture, Motion Design, Processing, Spec work, Typography, VFX · Tags Angus Wall, Apple, Dobro, Echoic Audio, Elastic, Endeavor Content, Fabian Aerts, Fernando Lazzari, Fyodor Bondarchuk, Hazel Baird, Hulu, Imaginary Forces, Karin Fong, Kim G-ryun
Posted
on September 24, 2020
Twenty years ago, Imaginary Forces released a different kind of reel. Instead of cutting the work to the usual upbeat music track, the montage was anchored by a reading of the prologue from Shakespeare’s ‘Henry V’ (watch below). [Watch]