Posted
on December 28, 2022
While nudging forward the art and craft of 3D animation, these eight outstanding game trailers, cinematics, and tournament films also offer deeply considered narratives and a possible peak into the future of filmmaking. [Watch]
Category AI, Animation, Anime, Best of Stash 2022, CG, Character Animation, Featured, Games, Motion Capture · Tags Axis Animation, Blizzard, DDB, Emnet Mulugeta, Free Fire, Garena, GOODBYE KANSAS, Hans-Christoph Schultheiss, Imaginary Forces, Jon Saunders, Jon Yeo, League of Legends, Magic: The Gathering, Passion Pictures, Patrick Coffey, Psyop, Riot Games, Robert Sethi, Sehsucht, SOMEI, Tendril, The Mill, Tosh Kodama, Trevor Conrad, Ubisoft
Posted
on January 17, 2022
Kick-off 2022 with a shot of creative adrenaline – take two minutes to check out this preview of the 31 brilliant design, animation, and VFX projects included in Stash 151. [Watch]
Category 3D Style, Advertising, Animation, Anime, Brand film, Broadcast Design, BTS, BTS, CG, Character Animation, Explainer, Featured, Games, Graphic Design, Illustration, Miniatures, Motion Capture, Motion Design, Music Video, photoreal, Rotoscope, Short Films, Stop Motion, Titles, Typography, VFX · Tags Andrea Love, Ariel Costa, Axis Animation, Blender, buck, Carbon, Cian Hogan, Clubcamping, Ethem Cem, Flooul, Framestore, Hornet, Imaginary Forces, Jesper Lindborg, Johnny Kelly, Jon Saunders, Jon Yeo, Joseph Roberts, Karin Fong, Karl Poyzer, Kwon Oh Hoon, Lucio Arese, Mark Molloy, Mark Zibert, Mathematic, Matthew Luhn, Media.Work, Naive, Nexus, Nineteentwenty, Nomint, Pablo Alfieri, Passion Pictures, Pedro Conti, Phoebe Wahl, Playful, Pleid St., Superdesigners, The Mill, The Panics, The Vanity, Tolm, Untold Studios
Posted
on November 9, 2021
Cut down from a total of 27 minutes of cinematics animation completed for Blizzard’s action RPG Diablo® II Resurrected, this two-and-a-half-minute sequence offers ample evidence of why Axis remains in the elite tier of CG studios. [Watch]
Posted
on November 28, 2014
“Transcendent steampunk octopus,” said no one. Ever. Except Jon Yeo, the London based director/writer/editor and DP of “Leviathan Ages,” the VFX-driven short sweeping thru the film festival circuit for the past year powered by the authoritative VO work of Robert Blythe and atmospheric audio from Radium. [Watch]