In 2020 directing collective (and CG iconoclasts) Meat Dept slipped the freakishly fun “Very Noise” video for French musician Igorrr into the media ecosystem. In this latest collaboration, they merge 3D with AI for a truly anarchic clip. [Watch]
The planet’s only streaming platform dedicated to motion design, animation, and VFX (aka the Stash Permanent Collection) keeps growing with the 31 new and outstanding video projects included in Stash 171. [Watch]
Category 3D Style, Advertising, AI, Animation, Brand film, Broadcast Design, BTS, BTS, CG, Character Animation, Explainer, Featured, Games, Graphic Design, Illustration, Motion Control, Motion Design, Music Video, Short Films, Student Work, Time Lapse, Titles, Typography, VFX · Tags Abra.network, Antoine Bardou Jacquet, Assembly, BlinkInk, Brent Bonacorso, Conor Whelan, Dave Meyers, Diane Lee, Digital Kitchen, Dirty Puppet, Ed Cheetham, Electric Theatre Collective, Flamboyant Paradise, Form Films, FutureDeluxe, Gabriel Nobrega, Giant Ant, Glassworks, iamstatic, John Likens, Joyrider, Korb, Lobo, Luciano A. Muñoz Sessarego, Mario Domingos, Media.Work, Method Studios, Michael Fragstein, Nicos Livesey, Panoply, Pedro Conti, Psyop, QLO Agency, Rankin, Rin Yokoi, Ruairi Robinson, Six N. Five, Stylo Creative, Temple Caché, The Line, Tumblehead, Wednesday Studio, Wes Cockx
Watch as veteran director Brent Bonacorso reveals how he leveraged AI tools to generate dramatic environments and VFX then combined them with live-action for this moody but ultimately hopeful film for the American Cancer Society. [Watch]
One minute into this Snoop Dogg cover of the Tom Petty track “Mary Jane’s Last Dance”, Psyop studio partners Temple Caché take over the visuals with a cannabis-fueled mashup of live-action, 2D, 3D, motion design, and AI. [Watch]
Category AI, Animation, Character Animation, Collage, Featured, Motion Design, Music Video · Tags Chris D Smith, Dave Meyers, Death Row Records, Freenjoy, Interscope, Psyop, Station Cachée Animation, Temple Caché
Joyrider director Ruairi Robinson hijacks the text of Rudyard Kipling’s 1903 anti-war poem “Boots” to generate the music and drive the narrative for this exercise in AI filmmaking he says “was produced during a two-week, 16 hour-a-day fever dream.” [Watch]
LA-based Brazilian director/animator Diego Coutinho reworks an abandoned commercial project as an opportunity for weaving traditional motion techniques with AI tools to explore “a blend of machine capability and human sensitivity”. [Watch]