Watch as veteran director Brent Bonacorso reveals how he leveraged AI tools to generate dramatic environments and VFX then combined them with live-action for this moody but ultimately hopeful film for the American Cancer Society. [Watch]
One minute into this Snoop Dogg cover of the Tom Petty track “Mary Jane’s Last Dance”, Psyop studio partners Temple Caché take over the visuals with a cannabis-fueled mashup of live-action, 2D, 3D, motion design, and AI. [Watch]
Joyrider director Ruairi Robinson hijacks the text of Rudyard Kipling’s 1903 anti-war poem “Boots” to generate the music and drive the narrative for this exercise in AI filmmaking he says “was produced during a two-week, 16 hour-a-day fever dream.” [Watch]
LA-based Brazilian director/animator Diego Coutinho reworks an abandoned commercial project as an opportunity for weaving traditional motion techniques with AI tools to explore “a blend of machine capability and human sensitivity”. [Watch]
The design and motion crew at DIESTRO teams with their fellow Barcelonins at Makmac for an over-the-top, character-heavy rebrand of Dogstar, a play-and-learn platform that gamifies the crypto experience. [Watch]
Motion designer/director João Vaz Oliveira explores how AI tools fit into the creative pipeline by reworking his original pitch boards for the Netflix series Ripley into a spec title sequence full of shadows and intrigue. [Watch]
