CD Raffi Simonian and the Filmograph crew serve up an intricate mix of live-action, animation, and VFX to set a tone of gritty apprehension in this title sequence for the Amazon MGM action thriller A Working Man. [Watch]
Plains Of Yonder directors Katrina Crawford and Mark Bashore (whose work we track here), reteam with the CG talents at Makmac in Barcelona for a sculptural mix of emotion and typography in their titles for the Netflix series Sirens. [Watch]
Working with Australian artist Konstantina, Sky Creative and the animation crew at Coffee & TV collaborate on a spectacular mix of Indigenous art and 2D and 3D techniques for Sky Sports’ coverage of the Lions Tour 2025 rugby tournament. [Watch]
Join the Paris-based CG iconoclasts at Meat Dept. as they walk us through the process of working with JJ Abrams and LaToya Morgan to create the miniature madness of their titles for Duster, the new 70s-set crime thriller series on Max. [Watch]
London creative agency weareseventeen’s latest work for Viasat is an atmospheric suite of ID’s for the broadcaster’s slate of film channels designed to “celebrate the beauty of spontaneous framing and unexpected moments of focus.” [Watch]
The crew at Peter Anderson Studio in London won their second BAFTA (Titles and Graphic Identity) for the opening sequence of Sweetpea, a British dark comedy/drama series starring Ella Purnell and airing on Sky Atlantic and Starz. [Watch]
