From OFFSET: “The amazing team from Windmill Lane in Dublin produced our opening film under the creative direction of John Kilkenny (creative director at TBWA\Dublin) and the artistic vision of director Arice.” [Watch]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Watch]
Elastic creative directors Lisa Bolan and Nadia Tzuo opened Sony Pictures’ “Girl in the Spider’s Web” with inky, sinister CG to create “metaphor and abstract visual language to hint at the main character’s untold history.” [Watch]
The latest incarnation of DC’s “Doom Patrol,” a 15-episode web series based on characters created in 1963 by Arnold Drake, Bob Haney, and Bruno Premiani, opens with this archly harrowing series of tableaux created by the Elastic design team. [Watch]
Polar, the Netflix action film directed by Jonas Åkerlund and based on Víctor Santos’ comic series, winds down with this arresting end credit sequence directed by Toronto’s Worship studio and produced by Tendril. [Watch]
The sold-out 12th edition of FITC’s design and tech event in Amsterdam opened with these CG titles by Russian visual artist and motion designer Maxim Zhestkov doing what he does best. [Watch]
