Longtime Stash fans know demo reels don’t get much love on this site (we’ve published a handful in 14 years). But once in a long while, one hits the inbox and makes you question what a compilation of work can and should do. [Watch]
Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences that rose above and beyond in 2018. [Watch]
Director Leigh Whannell’s new sci-fi feature “Upgrade” opens with the first title sequence since François Truffaut’s “Farenheit 451” (1966) to replace all text with VO. The result is both engaging and unsettling. [Watch]
Here’s your two-minute glimpse at the brilliant work included in Stash 132, a full two-hour program packed with 31 inspired design, animation, and VFX projects plus behind-the-scenes features and exclusive interviews.
[Watch]
Design director Hazel Baird and the Elastic crew open Showtime’s three-part doc “Shut Up and Dribble” with a layered and frenetic treatment reflecting “the changing role of athletes in our fraught cultural and political environment.” [Watch]
The Node 2018 motion conference opened last week in Melbourne on a mysterious/sci-fi note with these titles by Australian 3D magician Scott Geersen and the crew at Substance. [Watch]
