CD Duncan Elms at Elastic in LA: “Created by Taylor Sheridan as the prequel to Yellowstone, 1883 portrays an era of open spaces and constant dangers. [Watch]
Few design assignments demand more nuance than setting the tone for what an audience is about to see. Whether in real life or on a screen, the goal is to create the perfect balance between anticipation and revelation. [Watch]
The landmark 150th issue of Stash just dropped and we could not be more proud. Together with our subscribers, submitters, and fans we’ve built the planet’s largest motion design archive while providing inspiration and insight for professionals and students in over 100 countries. [Watch]
Exploring the concept of “what lies underneath the ice”, creative director Paul Mitchell and the crew at Elastic mark the return of NHL games to ESPN (after 20 years) with this ambitious and frosty mix of CG and 2D motion design. [Watch]
Creative director Benjamin Woodlock and the design and animation team at Elastic in Los Angeles capture a gritty, punk zine attitude in their titles for Jon Stewart’s new current affairs/talk show on Apple TV+. [Watch]
Duncan Elms, creative director at Elastic in LA: “This is the title sequence for the Netflix documentary Operation Varsity Blues – a deep dive into the fraudulent methods used by Rick Singer to get the children of rich and famous families into top U.S. universities.” [Watch]
