The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
The latest issue of Stash just hit the Permanent Collection with a whole new crop of inspired design, animation, and VFX work. Sneak a peek at the new two-minute trailer to see which work made the cut. [Watch]
From the team at Elastic in LA: “Check your weapons and gather your squad – The First Descendant is coming. Watch as creative director Jeff Han and the Elastic crew take on the cinematic story trailer for Nexon’s new RPG. [Watch]
Creative director Duncan Elms at Elastic in LA: “Excited to share our latest main title work for Titmouse and AMC+’s first animated series, Pantheon. As our lives become increasingly digital, are we getting closer to the day when we can upload our consciousness?” [Watch]
Duncan Elms, creative director at Elastic in LA: “In these titles for AMC’s Dark Winds series, spiritual and natural forces together with the earthy textures and colors of the South West were used to create compositions and imagery invoking the show’s themes.” [Watch]
Elastic creative director Hazel Baird, whose resume includes breakout title work for The Morning Show on AppleTV+ and the Showtime doc Shut Up and Dribble, sets a calm and introspective tone for the new Netflix series The Andy Warhol Diaries. [Watch]
