155 issues later, the Stash Permanent Collection has never looked better as it continues to document top talent, trends, and techniques in motion design, animation, and VFX. [Watch]
Duncan Elms, creative director at Elastic in LA: “In these titles for AMC’s Dark Winds series, spiritual and natural forces together with the earthy textures and colors of the South West were used to create compositions and imagery invoking the show’s themes.” [Watch]
Following their collaboration on Captain America: The Winter Soldier, the Sarofsky crew reteam with the Russo brothers to package the directing duo’s Netflix spy thriller The Gray Man in hyper-detailed CG vignettes and bold typography. [Watch]
Director and CG artist Ajiao Weiye: “This is a film I thought about together with my good friend Yeio Yangfei during the Chinese New Year this year. We strive to set up a project on a topic we like every year to relieve the pressure of daily work and fulfill our creative desires.
[Watch]
Stash 154 just packed another two hours of brilliance into the Stash Permanent Collection (aka your streaming platform for design, animation, and VFX). Grab a peek at the 2-minute trailer and see which projects made the cut. [Watch]
In 2016, with his Emmy for Main Title Design on The Man In The High Castle in hand, Patrick Clair set out to redefine what hi-tech horror felt like with his opening for Westworld on HBO. This fourth iteration mixes familiar imagery from past seasons with stark new themes and symbols. [Watch]
