Lacoste Crocodile Inside, The Film by Megaforce | STASH MAGAZINE

Megaforce and Time Based Arts for Lacoste

London VFX mavens Time Based Arts and star French directing collective Megaforce (Leo Berne, Clement Gallet, Charles Brisgand and Raphaël Rodriguez) tear apart life on several levels for French fashion brand Lacoste. [Read more]

Amaro and Walden Shotting short film by The Line | STASH MAGAZINE

The Line’s Amaro and Walden are Back!

Four years ago London animation house The Line introduced the world to the “rowdy boy racer, hipster hybrids” Amaro and Walden. Now the cartoon duo is back, selling weed and complaining about their neighborhood’s changing demographics. [Read more]

Libresse Viva La Vulva commercial Kim Gehrig | STASH MAGAZINE

Libresse “Viva La Vulva” by Kim Gehrig

Libresse, the feminine hygiene brand who shocked many with their #BloodNormal campaign last year, is back with a lighter tone and far more fun in this new spot from Somesuch director Kim Gehrig with post by Time Based Arts. [Read more]

Three Phones are Good TV commercial | STASH MAGAZINE

“Phones Are Good,” Just Look at History…

UK mobile provider Three pushes back against the growing wave of “phones are bad” haters with some speculative history lessons courtesy of Friend director Ian Pons Jewell and the VFX crew at Time Based Arts thru W+K London. [Read more]

Honda "Where Different Takes You" VFX commercial | STASH MAGAZINE

Honda “Where Different Takes You” by Time Based Arts

Directors Mike Skrgatica and James Allen at London post/VFX shop Times Based Arts hit the Stash radar hard in summer 2017 with their “Dream Makers” spot for Honda. Now they’re back with this typographic tryst for the Civic. [Read more]

Time Based Arts F1 Engineered Insanity | STASH MAGAZINE

Time Based Arts Unleash “Engineered Insanity” for F1

Final Cut editor Ben Stephens demonstrates the power of his craft to spike your heart rate in this spot for Formula 1 racing directed by Chris Boyle and amplified by VFX and post work from Time Based Arts in London. [Read more]