Stash 112: Dig Into More Brilliant Motion

A non-stop feast of design, animation and VFX, Stash 112 packs another 31 creatively and technically outstanding video projects into the Stash Permanent Collection along with great behind-the-scenes features and exclusive interviews with the designers, directors and producers behind the work.
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Making of Michelin “CrossClimate”

Take a quick peek at how Wizz Design directing foursome Andy’s and fellow Parisians Unit Image continued the Michelin Man’s valiant tire-flinging mission on a grand scale in “CrossClimate.” [Read more]

Inspiration + Insight + Happy = Stash 111

One of our most diverse and striking issues to date, Stash 111 delivers wall-to-wall motion brilliance adding yet another 31 animation, VFX and motion design projects to the Stash Permanent Collection. [Read more]

Behind the Scenes on Joseph Kahn’s “Power/Rangers” Bootleg

Joseph Kahn broke the internet and the patience of two large media companies (looking at you Saban and Lionsgate) with the recent release of POWER/RANGERS, his hardcore update of a certain action franchise inexplicably dear to many otherwise sane people.

The 14-minute film was pulled down and then reinstated and has now spawned this BTS clip (shot and cut by Renn Brown with music by Brain and Melissa) showing just how the self-funded project happened from tech scout thru to cast/crew screening. [Read more]

Behind the Scenes of Ketel One with The Juggernaut

Watch how Toronto design/animation/VFX house The Juggernaut mixes very old-school letterpress techniques with au courant lasers, drones and 3D in this spot highlighting the 10 generations behind the family-owned Dutch Vodka brand Ketel One.

Watch the spot:
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STASH 108: So Much Motion Amazingness!

The Stash Permanent Collection keeps growing with Stash 108 adding another 31 brilliant animation, VFX and motion design projects totaling over 110 minutes of inspiration and insight including our biggest line up of behind-the-scenes yet, plus exclusive interviews with the designer and directors behind the work. [Read more]